It began by stepping into the Ladies Walled Garden - perhaps so-named because it is the only part of the gardens with such hallmarks of civilisation as stone paving or roofed benches. Its centre point is a broken tree trunk, thick and ancient-looking, adorned with nature's palette of lichen. Surrounded by trees and shrubs, as we were approaching it in autumn it loomed before us out of a rough circle of red, purple and green foliage - a circle met by further pathways leading higher or lower, past walls or toward mossy stairways and out of sight.
One path lead out to something signposted the 'Primaeval Forest'. This lay outside of the stone walls, and yet if one were observing from a bird's eye view they could see that, in actuality, this meant stepping into a larger, more ancient and organic "walled" garden. Hills completely surround Kells Bay, each with fabulous names like Cooduff or Teermoyle, and combined with a thick forest canopy overhead they ensure the gardens never fall below five degrees centigrade in temperature. It is because of this natural alignment (and perhaps a little Victorian forestation), in such a remote pocket of Ireland, that something astounding has been borne.
As we discovered on our walk, the sign for a 'Primaeval Forest' did not lead to any old mossy corner but to the largest collection of tree ferns on this northern half of the planet. Brought from thousands of miles away and planted in the nineteenth-century by Mr Rowland Ponsonby Blennerhassett (I've used the words "fabulous names" in this paragraph already - perhaps from now on it worth accepting as an unspoken rule that all Irish names are indeed fabulous), the height, vigour, and sheer numbers of these tender tree ferns left me desperately grasping for a way of communicating to Michelle how horticulturally impressive they were, and of course as I write now it escapes me again. To still exist today, they must have been kept safe from frost for a century. Hundreds of these giants, for a century.
As I hinted at earlier, part of Kerry's landscape is a result of Victorian forestation - the mass planting of beech, ash, and larch saplings among the preexisting holly and yew. In the present day, these trees are now huge and have produced an understorey of native ferns beneath the canopy, inviting their Antipodean cousins to dwell among them. The greens, golds, and browns of the northern hemisphere blend happily with those of the south, as the tree ferns spread from their initial density into a forest shared with the European trees.
This forest carries on right down to the sea in one direction, and back up towards the mountains in the other, and the ease with which we were able to quite genuinely lose ourselves in it was remarkable and enjoyable. Perhaps this was due to the endless carpet of beech leaves covering paths - but my suspicion that evening was that beneath the leaves there were no paths to find. Occasionally some roughly hewn steps would come into view, or a short post with an arrow on it, but when they did appear they often seemed to contradict each other. Moreover, the further we walked the narrower the paths became, taking us above and alongside rivers and bogs. One such path had so much water running along its stones, I'm quite sure it had made the transition into a small stream! The sound of running water seen and unseen about our ears made it all the more atmospheric.
A thick old bough falling across a path. |
It seems that later generations of gardeners have had the same feeling themselves, and now offer a little joke to visitors who feel it too.
It is an extraordinarily exciting, intimate place, and though I feel deeply inspired by its horticulture and its style, Kells Bay Garden has also immersed me in magic.
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